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"At home," returns he. He is gazing out of the window, with his hands clasped behind his back, and does not pay so much attention to her words as is his wont.,

"Oh, yes, lots of 'em," says Mr. Darling, who has come suddenly up beside them: "for instance, I don't believe I ever said it in all my life, either to myself or to any one else. Are you engaged, Mrs. Geoffrey? And if not, may I have this dance?",

It is rather beyond his reach, but he is determined not to be outdone. Of course by stepping into the water and climbing the slimy rock that holds the desired treasure, it can be gained; but with a lazy desire to keep his boots dry, he clings to his present position, regardless of the fact that bruised flesh (if nothing worse) will probably be the result of his daring.,

"It is like a romaunt of the earlier and purer days of chivalry," goes on Lady Lilias, in her most prosy tone. "Alas! where are they now?" She pauses for an answer to this difficult question, being in her very loftiest strain of high art depression.

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At this Mona, being a creature of impulse, grows once more pale and troubled.,

He follows her, full of remorse and contrition. Her glance, even more than her words, has covered him with shame, and cured him of his want of generosity.,

A strange feeling of shyness is weighing upon her. Her stalwart English lover is standing close beside her, having risen from his chair with his eyes on hers, and in his shirt-sleeves looking more than usually handsome because of his pallor, and because of the dark circles that, lying beneath his eyes, throw out their color, making them darker, deeper, than is their nature. How shall she bare the arm of this young Adonis?—how help to heal his wound? Oh, Larry Moloney, what hast thou not got to answer for!,

Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud."